Best audio normalizer: Mp3Doctor PRO
Best audio normalizer
When we undertook an audio normalizer, the intention was to get the same audio quality (in terms of volume) than radio or concerts by major artists.
That is, it was thought that the song was audible from beginning to end, that no part of the song sounded too loud or too low a volume.
Again, the song should be audible throughout.
It is not simplemenete to calculate the peak volume and amplify the entire song at the same percentage. It is something much more complex, similar in part to a limiter and a compressor with a normalizer, all together.
The limiter prevents distorting peaks, nothing prevents the vcompresor very low sound volume or, conversely, with peak volume. And the normalizing standardizes the volume.
The perfect recipe or method capable of improving the maximum audio volume of your mp3s. It is a modern and different, but in the end won out for quality.
As if that was not enough to have the best audio normalizer, we have added to equalize poisibilidad loa, to modify the pitch and / or tempo individually.
For an equalizer?
An equalizer is a processor capable of functioning as a filter, increasing or decreasing the gain of each available frequency. That is, we can selectively increase or decrease the gain of a specific frequency,
The equalizer allows color, character and leadership darlke (or take it off) to an instrument or voice, without affecting the volume. That is what we seek to Mp3Doctor PRO by adding the equalizer: allow to color and central role to each instrument, beyond the volume.
The audible musical spectrum covers about 10 octaves in total if we consider the frequency range between 20Hz and 20 KHz. Usually, the first and last octaves are most critical for monitoring and in turn passing undetected, the human ear to be located at the ends of our physical hearing.
That’s why we always see that people often equalize as a “V”, enhancing the low bass and treble but more extreme, it makes us pleasing to hear music. Somehow it comes to “compensate” the shortcomings of the human ear.
This phenomenon is associated with the known theory of Fletcher-Munson, based on the equal loudness contours or “equal loudness curves,” showing that the human ear responds differently depending on the loudness of the source. Thereby at low levels need a most pronounced curve in bass / treble that hides our deficiencies of response to moderate intensity and high levels ear gets closer to that balance does not require compensatory equalization. Strengthening filters hi-fi equipment usually deal with these deficiencies of listening levels, and this function is usually activated by a selector that can be labeled in various ways depending on each manufacturer’s philosophy: Loudness, mega-bass , super-mega-power-bass extension, etc..
